Maggie Siff Won’t Accept the Status Quo « Maggie Siff Web | Your Newest Fansite for Maggie Siff


 

Mad Men, Sons of Anarchy and Billions – actress Maggie Siff usually lives in very masculine worlds, both on and off screen, but that doesn’t mean she’s just going to accept the status quo.

Words by Kevin EG Perry. Photography by Betina La Plante. Styling by Mary Fellowes.

In the Showtime drama Billions, about a US attorney going after a corrupt hedge-fund manager, the very first shot of the pilot episode shows Paul Giamatti bound and gagged on the floor. A dominatrix appears, putting out a cigarette on his chest and then helpfully alleviating the burn by pissing on him. By the end of the episode, we’ve learned that this woman is his wife.

It’s a hell of a way to make a first impression. For Maggie Siff, who plays the psychiatrist-turned-dominatrix, it presented both a challenge and an opportunity. “The sex stuff I was nervous about,” she says. “I’m not really an exhibitionist, yet I thought it was a really interesting component of their marriage. It felt smart. It made me want to know about that marriage, who those people were to each other and how they arrived there.”

So it also makes her – in a show full of macho characters – quite literally the boss? “And in a very literal sense, it makes her the boss, yes,” she laughs. “She’s comfortable in that role.”

Siff and I are having breakfast in a hotel in Lower Manhattan, and over fruit and coffee she’s lamenting how rare it is to be offered such a powerful and complex female role. As an actress she has become accustomed to being presented with barely sketched stereotypes. “There’s the bitchy wife, the bitchy ex-wife, the sardonic best friend… There’s a lot of those tropes,” she says. “There’s just a disproportionate number of male writers and directors and producers, so the stories that are getting told are slanted that way. You get so used to that as a woman.”

It’s a particularly challenging situation for young actresses who are so keen to find work when they’re starting out that they find themselves playing roles they may inwardly cringe at. Siff, who grew up in the Bronx before studying English at Bryn Mawr, a women’s liberal arts college in Pennsylvania, and theatre at NYU’s Tisch School of the Arts, remembers this time of her life well. “When you start out as a scrappy theatre artist just trying to pay back your student loans, you go through several years where you’re panning for gold,” she says. “I wasn’t picky at all. Your standard for what is acceptable goes down because you have to do things just to survive.”

You can read the full interview with Maggie Siff over at TheFallMag. Photos will be up in the gallery soon.

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